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        <title>ACCU  :: The Wall</title>
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<div class="xar-mod-head"><span class="xar-mod-title">Letters to the Editor + CVu Journal Vol 12, #5 - Sep 2000</span></div>

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   <h1><strong>Title:</strong>&nbsp;The Wall</h1>
<p><strong>Author:</strong>&nbsp;</p>
<p>
<strong>Date:</strong> 08 September 2000 13:15:39 +01:00 or Fri, 08 September 2000 13:15:39 +01:00</p>
<p><strong>Summary:</strong>&nbsp;</p>
<p><strong>Body:</strong>&nbsp;<div class="sect1" lang="en">
<div class="titlepage">
<h2><a name="d0e22" id="d0e22"></a>Appropriate
Teaching</h2>
</div>
<p>Dear Francis,</p>
<p>Your editorial in C Vu 12.4 (&quot;Do Types Matter?&quot;) raises the
possibility of two different types of human brain, loosely
correlated to biological gender, and that the statistical skew in
the genders of computer programmers might be a result of how well
the aptitudes of these types fit the skills required by programming
or by existing programming languages. Assuming that the
experimental evidence you mention is credible and there really are
the two types of brain, I would like to suggest an alternative way
of looking at the consequences: that the difference is not in
potential but in ways of thinking and learning.</p>
<p>One's aptitude for learning an art often depends on one's way of
thinking, and on how well suited this is to the art. If you have to
learn an art that is ill-suited to your most natural way of
thinking, then you either have to adopt a way of thinking that does
not come so naturally, or you have a harder time translating
between the art and your model of it. Either way, learning the art
becomes more difficult, but this difficulty need not remain once
the art has been mastered (and becomes more subconscious).</p>
<p>Let us suppose that the only real difference between the types
of brain is that of which way of thinking comes most naturally.
This implies that any difference in aptitude for an art is due to
nothing more than the difficulty of learning it, and this might be
at least partially compensated for by different teaching
methods.</p>
<p>To see how this is possible, note again what I observed earlier:
To learn an art that is ill suited to your way of thinking, you
have to adopt either a new way of thinking or a &quot;translation&quot;
system. It is hard for an instructor to help with the first, but it
might be easier to help with the second, especially if the
instructor has the same brain type as the student and the
instructor's own system can be shared. If this idea is correct then
the reason why we do not see it happen much is that it is not
widely recognised.</p>
<p>Hence we have a testable hypothesis: Students are best taught by
someone who shares their brain type, but tutors of the other type
can improve by not requiring a change in the student's way of
thinking (hard though this can be). Notice also the symmetry; I am
not suggesting that one type of brain is less capable in the art
and needs things simplified down, but that if a teaching is
optimised for one type then it is less accessible to the other AND
VICE VERSA.</p>
<p>I am acquainted with only two people who have demonstrated the
multitasking and interaction skills of a &quot;type A&quot; and who have
attempted programming, neither of whom have progressed very far;
this is hardly enough data, but consider the following: One of them
insists that all explanations are too theoretical and would rather
try to adapt an example program than struggle to adopt the way of
thinking demanded by the theory, and the other is a chartered
engineer and feels that the engineering course had some sort of
clarity that programming lacks. I find it hard to believe that
teaching methods are insignificant here.</p>
<p class="c3"><span class="remark">Thanks. My experience as a
teacher taught me the importance of understanding the ways in which
people thought. It is a common view that all people think in the
same basic way, but some do so more efficiently than others. This
is untrue. I think in terms of relationships, that makes algebra
very easy for me. My chemistry teacher was bewildered by my liking
for organic chemistry and my distaste for quantitative work. Yet
organic chemistry is largely algebra with strange symbols, the
quantitative chemistry relies too much on arithmetic for my
taste.</span></p>
<p class="c3"><span class="remark">I struggle with classical
geometry because I do not visualise, and have no visual element to
my memory.</span></p>
<p class="c3"><span class="remark">Good teachers understand that
there are different ways of thinking and try to learn to express
ideas in ways that are relevant to the specific student. But how
many good teachers have you met in your life.</span></p>
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